The story opens as the nine-year-old narrator, along with her mother and sister, disembarks from a boat that has brought them to Bridgetown, Barbados.
It is , and the family has come to visit from their home in Brooklyn, leaving behind the father, who believed it was a waste of money to take the trip. When she meets her grandchildren, Da-duh examines them. The next day, Da-duh takes the narrator out to show her the land covered with fruit orchards and sugar cane.
Da-duh asks the narrator if there is anything as nice in Brooklyn, and the narrator says no.
Da-duh says that she has heard that there are no trees in New York, but then asks the narrator to describe snow. Her early life was suffused with Caribbean culture; she spoke its language and followed many of its traditions.
To Da-duh, in Memoriam
Marshall made her first visit to the Caribbean when she was nine years old, which inspired her to write poetry. After graduating from high school in , she attended Brooklyn College n ow part of the City University of New York. She graduated with a bachelor of arts degree in English…. She has lived her whole life on Barbados and is confident and proud of her lifestyle, surroundings, and ways of looking at the world.
She dislikes the trappings of the modern world, such as any form of machinery, and is uncomfortable in the city of Bridgetown. People are born, only to die again. In a never-ending cycle of life and death, new ideas replace older ones and an evolution of perspectives takes place.
The death is not physical alone. It is the death of old ideologies, dated traditions and disparate acceptance of modernization.
The interactions that the narrator has with her grandmother remind us of the passage of time between generations. The demise of Da-Duh signifies the change that is inevitable, the transition from the old to the new. This is a description of the duality of life. Where there is joy, there is pain and when there is life, death is bound to follow.
The transient nature of life is evidenced by the changes that happen over a period of time.
To Da-duh, in Memoriam by Paule Marshall
No leaves, no fruit, nothing. You see your canes. With a judicious use of metaphors, the narrator has drawn us to the reality of inevitable changes that our lives are subject to.
Those who fail to see this at first, experience it the hard way later. However prejudiced we might be, towards change, the hard-hitting reality of a life-death cycle is inevitable. Time stands testimony to this fact. The protagonist, along with her sister and mother, visit Dah-Duh.
To Da-duh, in Memoriam by Paule Marshall
The visit is an interesting one in which Dah-Duh and the protagonist develop a caring, yet competitive, relationship. Dah-Duh introduces her to the riches of Barbados nature , while the protagonist introduces her grandmother to the steel and concrete world of New York industrialism. There is a competitive edge to their conversations because they each try to outdo each other on the merits of their separate homes.
Dah-Duh, however, is dealt a blow when she learns of the existence of the Empire State building, which was many stories taller than the highest thing she had ever laid her eyes on — Bissex Hill.
To dah duh in memoriam pdf to word
She lost a little bit of her spark that day and was not given a chance to rebound because the protagonist left for New York shortly after. She had refused to leave her home and was later found dead, on a Berbice chair, by her window. The protagonist spent a brief period in penance, living as an artist and painting landscapes that were reminiscent of Barbados.
A small and purposeful old woman. Had a painfully erect figure. Over eighty 80 years old. She moved quickly at all times.
Her eyes were alive with life. Competitive spirit. Had a special relationship with the protagonist. A thin little girl.
Nine 9 years old. A strong personality.
Competitive in nature. Had a special relationship with Dah-Duh. Dah-Duh is quiet shocked at this and exclaims that the world has changed so much that she cannot recognize it. This highlights their contrasting experiences of race. This is corroborated at the beginning of the story when it was revealed that Dah-Duh liked her grandchildren to be white, and in fact had grandchildren from the illegitimate children of white estate managers.
To Da Duh, in Memoriam Analysis 1
Therefore, a white person was some-one to be respected, while for the protagonist, white people were an integral part of her world, and she viewed herself as their equal.
This story highlights the strong familial ties that exists among people of the Caribbean, both in the islands and abroad diaspora.
The fact that the persona and her family left New York to visit the matriarch of the family, in Barbados, highlights this tie. The respect accorded to Dah-Duh by the mother also shows her place, or status, in the family.
The protagonist states that in the presence of Dah-Duh, her formidable mother became a child again. This is a minor theme in this short story.
Analysis of ‘To Da – duh, in Memorium’, by Paule Marshall
It is highlighted when it is mentioned that Dah-Duh liked her grandchildren to be boys. This is ironic because the qualities that are stereotypically found in boys — assertive, strong willed, competitive — are found in her grand daughter. This building represents power and progress. Steel and iron, the symbol of progress, is what shakes the nature loving Dah-Duh.
It can, therefore, be said that her response to the knowledge of the existence of the Empire State Building — defeat — is a foreshadowing of her death.
To Da-duh, in Memoriam
This is a physical echo of her emotional response to the knowledge of the existence of the Empire State building. The fact that she is found dead after this incident is not a surprise to the reader. Your email address will not be published.
To Da-duh, in Memoriam by Paule Marshall. Posted on 9th March 11th December by csecengl.
Breaking News Travel. Da-duh says that she has heard that there are no trees in New York, but then asks the narrator to describe snow To Da-duh in Memoriam Author Biography Marshall was born on April 9, , in Brooklyn, New York, the child of Barbadian immigrants who were among the first wave of Caribbean islanders to relocate to the United States.
Conclusion However prejudiced we might be, towards change, the hard-hitting reality of a life-death cycle is inevitable. Love and family relationship: This story highlights the strong familial ties that exists among people of the Caribbean, both in the islands and abroad diaspora. Gender Issues: This is a minor theme in this short story.
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